A while ago I got into a heated debate with a film buff about the respective merits of stage and screen. He claimed that there was nothing you could produce on stage that wouldn’t be better in a film. As an avid theatre fan, I couldn’t let that go… Don’t get me wrong, I think that TV and film are great and offer opportunities to portray things differently than in the theatre. But theatre, although not better than television or film, is a unique and relevant medium.
There are obvious constraints generated when locating a performance on stage, live and without the benefit of editing, but writing for the stage need not restrict what you can portray. Ghost the Musical demonstrates the amazing possibilities for stage effects, with ghost Sam walking through a wall on stage. Similarly, Danton’s Death at the National Theatre had a breathtakingly realistic guillotine scene which was so effective that it was almost distracting as I struggled to spot how it was done.
While there is plenty of inventive television and film, the unique conditions of the stage often require more imagination, from both audience and creators. I find it amazing how easy it is when watching a great production to suspend my disbelief and immerse myself in the narrative, often with minimal set or props. The ingenuity of theatre-makers is nowhere better exemplified than by the National Theatre production of War Horse. Although the Spielberg film had real horses, trenches, and spectacular views of the English countryside, it wasn’t able to capture the emotion or atmosphere of the play. The horse puppets are extraordinary and are operated so skilfully that you believe they are real, and the beautiful backdrop of illustrations creates an amazing atmosphere.
The Woman in Black is another film which I enjoyed, with Daniel Radcliffe giving an engaging performance which retained my interest despite the horror narrative being little more than a series of things that make you jump. But again, I feel that the stage production (as well as being more true to the book) has an atmosphere that can only be achieved in the theatre. It is a masterpiece of storytelling, as two actors narrate and act out the entire plot through a clever conceit involving Kipps enlisting a young actor to help him to recount his story. Despite the lack of props and cast members, the play is scary in a way that the film wasn’t, with the proximity of the performance adding to the tension. The idea of a haunted theatre is much scarier when you’re sitting in the auditorium…
Aside from the practical considerations, theatrical performances create a unique shared experience between audience and performers. One of the joys of theatre is that a show is different each time, as actors play with their performance and react to the audience response.
Bearing all this is mind, I’m still looking forward to seeing the new film adaptation of Les Mis. I didn’t hold particularly high hopes for the film when they announced the array of famous actors (less famous for their singing) in the cast, although many of them have had experience in musical theatre. But it seems to have held its own with the critics – and certainly done rather better critically than the musical did when it first opened. As a fan of the stage version, and a big fan of composer Claude-Michel Schönberg, I’ll be interested to see how the story and score transfer to the screen.