Dancing With Titian

 I’m quite an Olympic-sceptic and, dare I say it, I was rather underwhelmed by both the Olympic torch relay and the Olympic rings that have been stuck on the side of Box Hill. Not being proficient in Ancient Greek, I’m also unable to fully appreciate Boris Johnson’s recital of a new Olympic poem. But Dancing With Titian, the Imagine documentary covering the multi-arts project that is part of the Cultural Olympiad, is rather more up my street. I’m likely to watch any documentary on ballet, but this also played to my interest in Titian and Venetian art, fuelled by studying early modern Venice at University.

The scale of the project was amazingly ambitious, featuring contemporary art and sculpture, new choreographic works by the Royal Ballet, and poetry. The documentary was equally ambitious, covering all of this in just 75 minutes. All of the subjects were fascinating; from Titian’s work itself to the multiple poets, painters and sculptors, dancers, choreographers and set producers involved in the project. There was probably enough material to make a sizeable documentary about each area of this project.

The amalgamation of mediums and the collaboration between contributors made for a fascinating comparison between the differing creative processes of those involved. I find ballet rehearsals and choreographic processes as interesting as the finished performance, and it was interesting to see the various approaches of the individual choreographers as well as the diversity of the finished pieces.

While not quite convinced by some of the art (although I did like Mark Wallinger’s concept of voyeuristic viewing of a real bathing Diana) each of the three dance pieces seemed beautifully choreographed; I would like to see the full works. Their success is a fitting tribute to Monica Mason at the end of her tenure as Director of the Royal Ballet. This unique collaboration between the National Gallery and the Royal Ballet has produced a body of thought-provoking work that will surely encourage people to re-examine the three Titian paintings on show as part of the exhibition as well as Ovid’s Metamorphoses itself.

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3 thoughts on “Dancing With Titian

  1. Not a single female artist; choreographer; composer or librettist in the whole project, but the artist who receives the most praise for vision is Lucy Carter for her lighting designs… How disappointing that Monica Mason didn’t have the vision to be more representative in her co -commissioning and perhaps allow a different female artistic perspective to be inspired by these great works of art!

  2. That’s a really good point – the fact that I didn’t even notice the lack of any female contributors says a lot about the widespread predominance of men in many areas of culture!

  3. Yes, I didn’t notice untill pointed pointed out the lack of female artists- But, as that’s how it is sometimes, without sounding sexist, thats what women amongst the art world still have to work against- I went to see the exhibition and it was fantastic, and the episode was also just as fantastic!

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